Friday, July 27, 2018

One More Hot Patterns Classix Nouveau Primavera Dress

I last made this dress just about 1 year ago. I've worn it a LOT since. It's the perfect combination of great fabric, easy wear, easy care. Every time I wear it, I always tell myself to make another. I finally listened.


Another classy work bathroom selfie.


The pattern:


Bodice, in progress. Like last time, I fully lined the bodice to eliminate the facings. I also raised the neckline another 3/4". The last version is passable, but it still teeters on low-cut. Teeters. Hah. That's the only alteration I made to this version, having incorporated the incremental fixes from last time into my actual pattern pieces. It was nice to pretty much just cut and sew.


Lots 'o gathering at the front waist.


CB stripe matching like a BOSS! If you look close, you can see there's actually a seam in there.


Almost BOSSy matching at the side, but not quite.


I had a brain fart and forgot to match the pocket facing. The eagle-eyed among you will also notice that I didn't even attempt to match at the bodice side seams. Well, I did, but I cut either the front or the back in the opposite direction so what I thought was matching, really wasn't. Not a big deal since my hands are always either in the pocket or hanging next to it blocking the opening and my arms block the sides. And it's done and quite wearable, so there's that.


The 2-inch hem facing. I love wide facings. I don't always like slowing down and cutting out the extra pieces, but I'm always happy when I do.


More bathroom "glamour shots."





I'm glad to have this one in the wardrobe now too. I'm putting this pattern away for a little while, but I'm sure it will make another appearance at some point. Mindless dressing at 7 a.m. for hot Florida summer weather is what I'm all about these days.

Tuesday, May 29, 2018

Itch to Stitch Nottingham - My thoughts

How does so much time go by between posts?? I really always intend to post more often but then either my sewjo disappears or my blogjo (is that a thing?) does, or both. And then I make excuses to myself or figure no one wants to just read about my day-to-day, especially with no pics! But anyway ... here I am. And I sewed! (I thought this pic was both creepy and hilarious, in a 'The Shining' sort of way.)


This past Memorial Day Weekend was the most productive I've been in a short time in months! I made two tops and three skirts. Yay!

Today, I'm going to talk about the Nottingham top from Itch to Stitch. Link to pattern here (not an affiliate link).



This is the first Itch to Stitch pattern I've actually sewn. I've bought a few and downloaded the freebies and they are in my queue but see comment about sewjo above. Plus Magpie Syndrome. I know ... preaching to the choir! :-) But I love me a twisty top and so this one jumped into first position.

Overall, the pattern is good. The drafting is accurate, the price is very reasonable (especially if bought during the first week of release) compared to other Indies and non-sale Big 4, the PDF pages go together quickly (even quicker if you use the Itch to Stitch tutorial here), and the construction instructions are fine. But I do have some opinions I'll share below. Whoa Deb, you have an opinion? What a surprise! Hah. I crack myself up.

If like me, you really wanted to see what the pattern pieces for the twist look like, voila. The top section is just a basic tee, with all the twisty stuff going on near the bottom. The pattern is PDF only but available for large format and created with layers so you can print what you need. There are 33 pages for the whole thing and it took me about 20-30 minutes to assemble. I'm one that very much prefers PDFs over tracing.



I was hoping that I'd be able to quickly morph my TNT tee to this pattern, and that worked out very well. Truthfully, there aren't a huge number of differences between my TNT and this pattern, but there are enough, so why reinvent the wheel when I can just cut and sew, you know?

So my first "opinion" concerns the neckline. Kennis (the pattern designer) calls it a scoop neck. It is not a scoop. A look at the "tester" round-up pics will confirm that. It's a jewel neck. I do not like jewel necks on me. Which leads me to my next "opinion." It's pretty easy to offer additional neckline styles for simple knit tops (which this one is in the upper torso). A true scoop neck and vee neck would've been great inclusions. Not that I can't do this myself, but it just seems nicer to have the choices already in the pattern. I mean, it comes with three sleeve variations so why not a choice of necklines? For mine, I lowered the pattern neckline at least two inches. And as you can see by photos of me wearing it, it's nowhere near a low neckline even with those two inches removed. I also increased the width to open up the neckline even more.


I added a band, whereas the pattern is a "facing" turned outward to look like a band.


My next "opinion" is about the sleeve and armhole and sewing them together. Since I was using my TNT upper bodice, I also used my TNT armhole and sleeve. I like the armholes in my knit tops to be high and narrow (curving more inward at the upper chest than not). I do not want extra fabric across my chest nor below my armpit. The Nottingham armhole is lower than I like and it's also set wider under a wider shoulder seam. Many of the "tester" photos bear this out. I won't point out which ones specifically since maybe the wearer actually prefers hers that way. But I do see a trend that makes me wonder. Plus, I've seen the pattern. Hah.

What I will complain (and not just opine) about is that the instructions have you set in this sleeve like for a woven blouse. Why? And why is there so much asymmetry and height in the sleeve cap for a knit sleeve? My pink mark shows the sleeve pattern for the size I was sewing. In reality, I had traced my TNT sleeve and used that. You can see the difference. Yes, technically I'm sure the pattern sleeve works. But it's too much work when it doesn't need to be.


The sizing is generous. There is a lot of upper body ease to create the pretty draping toward the twist. Pay attention to the finished measurements and your fabric's characteristics. The measurement chart would have me in a 20. My TNT is closer to this pattern's 14-16 in the upper chest and I morphed to the 18 toward the hip and still have plenty of room and drape. The pattern's elbow-length sleeve is narrow. My TNT sleeve equates to roughly a size 20 sleeve for this pattern.

If you have a larger bust, you probably won't need an FBA but I would advise to add length to the front piece, tapering to nothing by the side seam. There are lengthen/shorten lines provided, which is a nice touch on such a weirdly shaped pattern piece. (You could also do a traditional FBA but you'd have to do it twice since the pattern piece is a full piece, not a cut-on-fold piece.) In fact, unless you're very petite with a smaller bust, I would suggest adding length all around. I'm 5'5" and the overall length of this top out of the "envelope" (off the printer?) is fine on me with a skirt, but would definitely be too short with pants (which I wear a little below my skirt waist). There are a lot of  inspirational "tester" pics on the pattern's release blog page but I wish there was more info about their height and about the whys of their size choices. I saw a number of length variances but no explanation. Next time, I'll likely add an inch.


One little addition I made, which you can see in the above and below pics, was to add a 'faux" tie. It's just a simple tube of fabric, about twelve inches long, pulled through the hole created by the twist. I think this balances and finishes the bottom edge. The tie will be more apparent when I wear this top with the solid navy skirt that also came out of the sewing room this weekend. The twist gives me a spot to hang my work pass, which you can see in the bathroom selfies below.


If you've read my blog for any time, you probably know my love for 2-piece dresses (aka top and matching skirt). I'm really happy with how this set turned out. The skirt is my trusty McCall's 7386, which is a cross between an A-line and trumpet skirt and is SO FAST to cut and sew. The separates will mix/match nicely with other pieces in my wardrobe.








Overall, I like this pattern a lot. I'll definitely be making it again soon. It's distinct enough to not want too many in my wardrobe, but a solid white will mimic a blouse nicely and another print will be a great weekend top. And maybe one with a vee neck, one with long sleeves for winter ..........



Saturday, February 3, 2018

Cashmerettte Rivermont Review

I know, it's crazy. Two blog posts from me within days ;-)

Here I am in my Cashmerette Rivermont dress. In the bathroom at work. So classy. My face says it all, no?


Obligatory pattern cover.


And line drawings.


And size chart.


Since I don't fit into any one size on the size chart, I do the morph-o-roo between a few sizes. Following the Cashmerette instructions to choose by my bust size doesn't work for me. I end up with a too-wide neckline and a bodice that falls off my shoulders. So, I pick for my bust size but ALSO for my upper chest/shoulder size by blending smaller for those areas. For Rivermont, that meant between 14-16 (C/D cup) at neck/upper chest and underarm, outward to the 20 at waist/hip. Kind of like my "cheater FBA" but in this instance it's my "cheater NSA" (narrow shoulder adjustment). (And OMG, now that I've typed NSA twice, should I be worried? Hah.) You can see what I did looking at the yellow highlighting below.


This gives me a pretty good fit throughout shoulders, underarm, and bust, no?


Overall, I like the pattern and think it's drafted well, and I do recommend it. But I do have a couple of mostly minor complaints. First up, is the pocket. While I love pockets, especially in my work clothes, the Rivermont pocket is HUGE. Immediately below looking at the pattern pieces, you may be able to get the general idea of how deep this pocket is. Look how close the bottom of the pocket is relative to the back vent.


Or, if that doesn't tell you the story, look at this photo, where, with my hand to the bottom of the pocket bag, half of my forearm is in the pocket too. That is a deep pocket! It's easily shortened for next time, though, so not a deal breaker by any means.


While I'm talking about the pockets, I'll point out that I used a black tech knit for the pocket facing. The main fabric is fairly lofty and textured and I thought a smoother fabric would be a better choice. It is. I really like how the pockets feel with my hands in them - the techno knit (same as I used for my black Hudson pants) is so nice. The main fabric is also awesome! I used exactly zero creative imagination for it, since it was part of a Rivermont kit offered by Cashmerette. I just fell in love with it when I saw it. It was a little pricier than I usually go for, but very worth it. It's definitely quality stuff.



The other nit I want to pick about the pattern is the neckline facings. If you've been reading my blog for any amount of time, you'll know my feelings on facings for knits. Hint: Not a favorite. At all. The front facing is kind of wimpy. It's nice that it's sewn into the shoulder and armhole seams, but that wasn't enough to tame it.


I understitched it. I pressed the heck out of it. Sat the clapper on it. And even left it pinned on Zillie for days. It wasn't enough.


So I brought out the big guns ... my elastic thread. Which I pulled through the channel created by the understitching, just enough to make it taut. Similar to my Gaping Neckline Fix, here.


And I added Steam-A-Seam under the facing edges to "glue" them down so they wouldn't move. The neckline now lays flat and the facing remains in place. I still hate facings though. (You can also clearly see how deep the pockets are.)


The back lays better, because it's a bit deeper and is going over a more convex curve of my upper back which holds it in place better than the more concave curve of a typical female upper chest. Also, pattern matching like a BOSS. Hehehe...


Here's my finished dress on Zillie (sans hem). Front neckline flat? Check. Not too wide? Check.


And another wonderful bathroom selfie. (I know I'm getting ancient, but that lighting really does me no favors. Ugh.) This will be a great multi-seasonal addition to my wardrobe. And so comfy too!


And during the colder months, I've got a matching unstructured jacket to wear over it. (Or, with jeans or the navy skirt that's in my sewing queue.)


I used Simplicity 1945, which I've made a few times before. I omitted the center back seam to avoid pattern matching and fabric waste.


Zillie models the ensemble, complete with serger thread tails before hemming:


Parting shot: This wonderful fabric is impossible to mark on the wrong side with my preferred washaway markers. I actually tailor-tacked for the first time ever. I felt so faaaannncy. :-)

Wednesday, January 31, 2018

The New Dress


Above, my latest finished garment, and I L.O.V.E. it!

Backstory: I have a RTW dress almost exactly like it. I like the RTW dress a lot too and have been wanting to clone it. It's really just a simple knit shift dress with an "open" vee neck with ties. This is the RTW below. I meant to take a pic of it on either me or Zillie, but I forgot. If I think about it later, I'll add such a pic to this post.

I decided I could pretty easily re-create the RTW dress with my TNT Ottobre tee pattern. (I have been using that TNT for ELEVEN years now, it's originally from the 02/2007 issue!) The RTW has sewn bust darts. My TNT does not – it has extra length at the bust area which is eased into the side seam at bust level. I prefer the non-dart version.

Below, is my visual comparison between the RTW dress and my tee pattern, and how I started to assess what was going to be needed in a pattern.


This pic is when I got more serious and took measurements, noting similarities, differences, and necessary landmarks. I'm being "thrifty" (lazy) and using some pattern tissue from patterns I'll never sew as my tracing paper. The red arrows show my lines for the new dress.The rest of the lines are from whatever was originally on the tissue.


I drafted a facing for the front neckline. It's probably really hard to tell what's going on with the lines from the original pattern on the tissue. The pic below is the facing overlaid on the front pattern piece.


Here it is by itself where you can hopefully see the overall shape of the pattern piece, ignoring the printed lines. The only "line" that matters here is where it I drew in "FOLD." Right above FOLD is where the vee shaping is, which is not cut on the fold. Clear?


This is what the actual facing looks like using the pattern piece above. It's interfaced and the bottom edge is serged. The vee is sewn (right sides together) and then turned right side out. The shoulders and armholes are basted together and sewn as one when attaching the sleeves and back. The neck opening where you see the binding is also basted together before the binding is attached. The binding is applied to the raw edge(s) of the neck opening. Easier to do than describe.


The RTW dress has back waist darts, which produce some nice subtle shaping. I measured the end and middle points and the uptake of the existing darts. I transferred those landmarks as big dots to the pattern tissue. The janky looking dart outline is just to give me a visual clue for what those dots mean. In case I put this pattern away for 5 years. Or a week. :-)


Here are the sewn darts. As you can see, there's not a lot of uptake, but enough to lessen the "sack effect" while still camouflaging the back rolls. Hah.


The sleeve is nothing special. Ignore those lines all over from the original pattern. I already had a long sleeve created for my TNT Ottobre. I just traced it for this one so I could keep all the pieces together. Sometimes I'm actually not lazy. It's just a straight sleeve to be elasticated at the wrist, so it doesn't need much shaping.


The elastic cuff.


Below is the RTW neckline. The binding is all one piece, attached in one go, leaving lengths past the neck opening which become ties.


My copy.


I'm still kind of in shock at how perfectly the binding/tie went on my copy. I truly expected to need at least 2-3 tries. I luuuurrvvve my CS machine and binders! And Lady Luck.


Much of the success lies with the fabric used for the binding. It's a Telio doubleknit which has nice body and drape at the same time. I bought this to make a navy Jalie cardi, which is next up on the cutting table, but it turned out to be perfect for this binding/tie too.


Here's the neckline/tie open. I made the point of my vee a little higher than the RTW dress so it's not All Cleavage All The Time with it open.


This is the reverse side of the binding.


It's hard to tell because it blends in so well, but the coverstitch looper was threaded with navy woolly nylon. Since the underside was going to show on the tie sections of the binding, I was hoping the woolly nylon would look more substantial and intentional than plain thread. It does. Yay. The random dog hair, on the other hand, not so much.


And on Zillie. I finished the dress Sunday, hemmed it Monday night after work, and wore it Tuesday (yesterday). I am so happy with it. Most of its success is the fabric, but a lot is the effortlessness of a well-fitting knit sheath. I already bought more of this fabric. It's from Cali Fabrics but going quickly. As of today, there are only 6 yards left. Cali Fabrics is quickly becoming my new favorite fabric store. Great quality, lovely customer service and attention to detail, good prices, and fast shipping to Florida from California! I only wish they'd show more pics of their fabrics so I can get a better feel for drape and scale. (I have never been compensated in any way to say that. I'm just an actual customer spending my own actual money.)


One more pic, in front of Alex's shocking orange truck. Which kind of goes with the dress, no?


Parting shot: Snow, here in Tampa a couple of weeks ago. OK, actually frost. But I still had to scrape my car windshield before work. This is not how it's supposed to work here in Florida.